June 30, 2009

Vibe Magazine Closes- Quincy Jones Wants It Back

From EbonyJet.com Vibe magazine founder Quincy Jones is distraught over the news that the famous hip-hop publication today shuttered its doors. Though no longer the owner, he did not anticipate this sudden demise, and he says he’s going to bring it back to life – albeit in a slightly different way.

“I’m trying to buy my magazine back now,” Jones told EbonyJet.com just moments ago during a telephone call to Jones’ London abode. “They just messed my magazine all up, but I’m gonna get it back. You better believe it, I’m’a take it online because print and all that stuff is over.”

Jones created Vibe in 1993. It soon became the voice of urban youth, showcasing hip-hop and R&B artists in a way that older, more staid publications would not. Many described Vibe as a black Rolling Stone, but perhaps bigger. Amongst the publication’s famous covers were those featuring hip hop giants placing hip hop giants 2pac and the Notorious B.I.G. The magazine’s last cover featured Eminem.
Vibe was purchased by Wicks Media Group in 2006. In February of this year staff were told they would have slashed salaries, a four-day workday and that the company would only publish 10 issues in 2010 in order to save money. But that wasn’t enough. At around 2 p.m. CST, the Internet flooded with news, care of gawker.com, that the company was folding. Moments later, according to Gawker, Vibe editor-in-chief Danyel Smith issued the following statement: On behalf the VIBE CONTENT staff (the best in this business), it is with great sadness, and with heads held high, that we leave the building today. We were assigning and editing a Michael Jackson tribute issue when we got the news. It's a tragic week in overall, but as the doors of VIBE Media Group close, on the eve of the magazine's sixteenth anniversary, it's a sad day for music, for hip hop in particular, and for the millions of readers and users who have loved and who continue to love the VIBE brand. We thank you, we have served you with joy, pride and excellence, and we will miss you. Danyel Smith”

No one answered phones at Vibe’s offices on Tuesday afternoon, but the mag’s most recent Twitter said only: “Thanks for everything.”

Jones said he was proud of the magazine that fell to its demise mostly due to the economic recession that cut the advertising budgets of companies that normally advertised with magazines.

Vibe is only the latest magazine to encounter such problems. Nickelodeon Magazine and King have closed in addition to music industry magazine Radio and Records has also shuttered.

Jones says that all publications must figure out how to live online. That’s where he’s going to take Vibe once he recovers from the death of his friend and protégé Michael Jackson.

“We gotta get into the 21st century you know,” Jones said. “ “Print and all that stuff is over, we gotta remember that. The Chicago Tribune, The Seattle Post Intelligencer. The Miami Herald. They’re over the same way as the record business. We have got to get into this century.”

Dr. Boyce Watkins "Why the Wendy Williams Show Will Dominate TV"

The Wendy Williams TV Show begins on July 13th on FOX daytime and a rebroadcast on BET at night.
Dr. Boyce Watkins writes the following:

The first time I appeared on "The Wendy Williams Experience," I was admittedly a wee bit concerned. I didn't know as much as I should have about Wendy, but I did know that she was ferocious. I was being invited on her show to talk about Oprah Winfrey, Bill Cosby, 50 Cent and Ice Cube. There was a beef between hip hop and the Oprah crowd, and Wendy seemed to feel that I could be a good referee.

I didn't mind standing in the middle of this conversation, because I have respect for both sides of the fence. Hip hop is one of the most powerful creative art forms in the history of the world, but it also possesses tremendous problems, primarily due to the impact of selective commercialization within the context of socially irresponsible corporate models. Oprah, on the other hand, is one of the most amazing and prolific public figures I've ever seen. But she is also not without her issues as it pertains to dealing with black men. I respect all sides, but I am not afraid to critique all sides when necessary.

In my first appearance on Wendy's show, I met her incredibly efficient producer,
Nicole Spence. I was sad to see Wendy and Nicole fall out, because I honestly feel that they needed each other. But I digress. Before the show, Nicole told me, point blank: "The interview is going to last for at least 20 minutes. It will only be longer if Wendy likes you."
Okey-dokey then. Either we would hit it off nicely or she would put the hook around my neck like the Apollo Theatre. Wendy is not polite enough to care if she hurts your feelings, so I knew she would only keep talking to me if I could give her good commentary. In front of 11 million listeners, we were going to be feeling each other out. The pressure was on, but I respond well to pressure and confront all challenges head on. In fact, I almost always win. Read more in Black Voices

Vibe Magazine Shutting Down

"Vibe Magazine—one of the biggest music magazines in America—is folding. The entire music magazine landscape is full of the dead and dying.

Vibe magazine, the urban-music magazine founded in 1993 by Quincy Jones, is the latest victim of the media recession. Multiple sources both within and outside the magazine confirmed that it is shutting down.

Wikipedia sums up Vibe unexpectedly well:

The magazine owes its success to having a broader range of interests than its closest competitors The Source and XXL which focus more narrowly on rap music or the rock & pop-centric Rolling Stone and Spin. It also differs from the more staid Essence, Ebony or Jet publications by attracting younger readers of many ethnicities.

It was essentially the black version of Rolling Stone, and its readership grew broader as
hip hop became pop music. (Kind of fitting that their last issue had Eminem on the cover). But Vibe hasn't been doing well for a while now; in February, the magazine cut its circulation and frequency, and salaries. Now the music industry is crumbling, and the magazine industry is crumbling, and the music magazine industry is really crumbling."

VIBE, though not always great, was truly one of the good guys. From Gawker

June 29, 2009

BET Awards 2009 - The Aftermath

The "Aftermath" revealed that there is still a great divide in race relations in this country and social media.

Before we talk about the aftermath, let's imagine the characters from the WIZ had the opportunity to travel to Los Angeles and witness the 2009 BET Awards. Can't you see the shock all over their faces? Their conclusion like mine and many others on Twitter and Facebook on Sunday would be that it was a hot ghetto mess. It was the Sunday afternoon family get-together that went on a little too long and the longer folks stayed the more ignorant it got! The best tweet of the night: "I wished BET died and MJ gave a tribute to them."

Let's see what our family members did. Well, everyone forgot how to sing except for Neyo, Monica, and Maxwell (Little KeKe could sang too). Jamie grabbed his crotch too many times, said he had a boa in his pants, and almost fell down trying to do the moonwalk; Beyonce went opera on us; Kanye kind of sat in the corner with his girl, didn't say much, he must be in love. Lil' Wayne cussed and brought little girls up on the stage; Ving Rhames cussed and scared the sh*t out of us; uncle Don Cornelius babbled; then grandpa Eddie Levert cussed some more because that's what he do. Alicia Keys looked good, but that pimple was working it for all the attention. Zoe told ev'rbody that grandma Uhuru was in the bathroom two times; yeah Tevin was there, we ain't seen Tevin in years, (you know he's out the closet). ...and Bobby Brown was bloated.

Did I miss anything? I'm sure I did. But what did we expect-THIS WAS THE BET AWARDS!, and family still had a good time with tweets on Twitter and updates on Facebook. However not everyone was happy in Twitterville. I don't know why? Everybody was invited...

There was tweet backlash based on the trending topics on Twitter on Sunday evening. For the entire evening during the show it seemed Black folks took over Twitter. Wow, some media/marketing person should be thinking there's another great way to reach the African American audience in a way never thought of before. BET's continuous promotion of their Twitter account during the show probably helped.

However as I stated earlier, not everyone was happy. In the post BET Awards Dominate Twitter, Causes Racist Backlash from Black Web 2.0, blogger Angela Benton writes...

It seems like whenever African-American topics dominate media there are always some unhappy campers. Social Media is no different. Within hours it spawned a site on Tumblr, OMGBlackPeople.Tumblr.com. Tumblr has taken down the site since last night but the Twitter account @omgblackpeople is still alive and kicking. Apparently many people on Twitter wanted trending topics to go back to what they were use to seeing, here’s a smidgen of what was on the site:




Did anyone see the new trending topics? I dont think this is a very good neighborhood. Lock the car doors kids.



Here's an additional tweet during the BET Awards from @omgblackpeople Just keep looking straight ahead and don't make eye contact. If we don't bother them, they won't bother us. Hold your purse close.

Read More of the full article and see more Twitter screenshots. Thanks Black Web 2.0 for bringing attention to this matter. Here's an experiment for you to try that I tried when I had a myspace account. (I got rid of it after the Obama monkey cartoon in the New York Post, because News Corp owns myspace, FOX news and the Post.) Try making 20 friend requests with people from another race. I tried it with many people in radio and media outside of an urban format. Not much success except for a guy named Merkin.

Race doesn't seem to matter with facebook and Twitter, so there's some progress there. I can't believe I'm posting this, this is 2009 and it's sad. I guess the lyrics about it doesn't matter in Michael Jackson's song "Black or White" aren't true, are they?

BET Awards 2009 - Joe Jackson - CNN Interview on the Red Carpet

There really are no words to describe Joe Jackson's behavior on the red carpet at the 2009 BET Awards following the death of his son Michael Jackson. In this live interview with Don Lemon on CNN, Joe Jackson goes on to promote his new record company.

FCC Fines K104 Dallas $4,000 for Nelly Concert Promotion

DJs at K104 (KKDA) Dallas got carried away describing a concert promotion with Nelly, leading to a $4,000 FCC fine. Staion owner Service Broadcasting says all the on-air and online stuff it prepared for “Nelly’s Blackout Party” at the Opus Lounge in April 2008 checked out just fine. But it admits some DJs over-promised in "isolated and unscripted remarks” that winner would have a chance to meet Nelly, some listeners felt burned, and they complained.

The prize was supposed to be tickets and a chance to enter the club directly instead of standing behind the velvet rope. But some jocks hyped it as a chance to get VIP access and to get up close and personal with Nelly. K104 says there were 11 contest winners and eight of them were happy with the way the evening turned out.

But it only takes one contestant to complain, and the FCC decides that the station was also bound by its DJs’ ad libs – and that K104 owes the standard contest rule violation fine of $4,000. Read what the FCC said here. Source TRI

June 27, 2009

News of Michael Jackson's Death: Radio Passes the Test, but the Internet did also...

Michael Jackson's death shows radio and the Internet are viable mediums that can work together to provide news and information.

However two bloggers proclaimed that the Internet crashed as news of Michael Jackson's death spread through the Internet. Brad Kava of SF Radio Examiner writes Michael Jackson's death shows why radio is still a viable medium and in the web article Michael Jackson is a test. He is only a test of the emergency broadcast system, Dean Takahashi states that the Internet is still not prepared for major emergencies.

From where I sat I can state my computer worked fine on Thursday afternoon. My source of information was Twitter. I noticed that Michael Jackson was number one among the trending topics. Although I was focused on Shaq trending at only number 5 (having been traded to the Cleveland Cavaliers earlier in the day, I hadn't been on the computer all day). I decided to follow some tweets that linked to TMZ.com.

Was this real? I turned on the radio to talk station 900 AM WURD and the host Al Butler along with guest Dr. Marc Lamont Hill and James Hill of BET were discussing a number of topics when news of Michael Jackson having suffered cardiac arrest was being tweeted furiously on Twitter.

While listening I checked out Twitter several more times expecting to see "the whale" (their over capacity symbol), but I had no problem at all accessing their website. Then I thought let's see if this is really REAL. Turn on the TV! CNN.... nothing... MSNBC...nothing OK, Fox News (you're getting desperate...)... still nothing... local TV... nothing either.

Now if TV News can't verify this, does it really exist? TMZ.com was scooping everyone, it became a surreal experience by 5:30 pm ET (2:30 pm PT). I was in disbelief regarding Michael's death because they reported that he was dead and the TV was just saying Michael Jackson was rushed to the UCLA Medical Center.

Meanwhile the local TV newscast didn't report Michael's death until around 6:20, almost a full hour later... with a full video footage neatly prepared with the announcement. The only problem was, there was a glitch and the audience saw part of the same footage earlier at the 6 o'clock lead-in while Farrah Fawcett's death was being reported on the air with the news anchor calmly and professionally stating "this is not the right video." Makes me think the news outlets already knew and were told to sit on the story until a certain time...

Even my facebook friends' status updates at 5:45 were being cautious about the news, because it was not being reported on TV. One of the local DJ's on a hip hop radio station was reporting that Michael was in a coma at 6:00 pm, and you could hear in her voice she was struggling with what was being reported on the Internet as opposed to what was on the news wire services.

How did radio work in all of this? Let's say more specifically, live local radio. Radio for the most part was able to switch topics and programming quickly. TV did not do this. It was programming "as usual" for television. I had a feeling of resolve about Michael's death because a legitimate media outlet (radio) was confirming the information that was being splashed all over the Internet. This happened well before 6:00 pm while CNN was videoing the scene outside the hospital as if the ambulance had just arrived at UCLA. The radio was giving information to a community of listeners. That's what is known as broadcasting. Kind of sounds like an Internet social network.

The events of Thursday were a defining moment in how the public gets information. A good question may be this: Where do you think the public will go first when there is the next major news event?

June 26, 2009

Memories of Michael Jackson

While searching the dial this morning, it was Charlamagne of The Morning Beat on WPHI 100.3 The Beat in Philadelphia that provided the best tribute to Michael Jackson. I had to agree with him that "Off the Wall" was his best album, but it really didn't matter because Charlamagne along with DJ Touchtone, played everything Michael Jackson. It was a party, a jam session, a celebration of life...

...and it was a throwback to what DJ's use to do on the radio. Charlamagne played little known tracks like 'Girlfriend' from Off the Wall, to the title track from the album, which is his own personal anthem. He took calls, danced on the live web stream, and encouraged his listeners to not be depressed and to have a good time. THERE WAS NO PLAYLIST! He played what he wanted to play from Michael and he took request from the listeners.


Not sure what the Urban Radio syndicated morning radio shows were doing, all I know on local radio in Philly, Charlamagne did the damn thing and I enjoyed the hell out of it.



Black radio in Pittsburgh...The 1980s: issues of identity, profits

Larry Glasco, a professor of history at the University of Pittsburgh continues his series on Black radio and Pittsburgh's heritage station WAMO in the New Pittsburgh Courier. He can be reached at larryglasco@yahoo.com.

Eric St. James, a one time morning host morning show host, who delivered a dramatic on-air resignation saying, “I can no longer stand to see Blacks work against each other.”

The spirit of pride and militancy that characterized the late 1960s increased the desire for Black control of community institutions. In that spirit, in 1973 Ron Davenport Sr.’s Sheridan Broadcasting company and a group of Black businessmen, including Art Edmunds and Milton Washington, purchased WAMO, bringing for the first time Black ownership to Black radio in Pittsburgh.

Black control, however, did not mean smooth sailing for the station. Indeed, in the 1980s WAMO was buffeted by numerous challenges. The growing 800-pound television gorilla now included BET and MTV, which increasingly carried Black-themed music videos. Locally, mainstream local television and radio stations added African-American community affairs programming, depriving WAMO of another important near-monopoly. Generational issues also challenged WAMO’s control of its listening audience, with older listeners complaining about the unending dance music and teens complaining about too much “slow, sad, love stuff.” Religious-oriented listeners were dissatisfied with the programming mix, and in 1981 a group of disgruntled ministers took action by purchasing WFFM as an alternative to WAMO. Read More

SIRIUS XM Radio to Pay Tribute to Michael Jackson with Special Programming Across its Music Channels

SIRIUS XM's music channels will celebrate the life and career of Michael Jackson who passed away on June 25, 2009 at the age of 50. Numerous of its 100% commercial-free music channels will devote special features to the "King of Pop" with tributes, personal memories, favorite songs and more.

Former MTV VJs and SIRIUS XM hosts Alan Hunter and Nina Blackwood will host a Michael Jackson special on SIRIUS XM's '80s on 8 channel, SIRIUS and XM channel 8, on Friday, June 26 at 7:00 pm ET. Listeners will also hear a live tribute of Michael Jackson hosted by '80s on 8 host Rick Stacy on Friday, June 26 from 7:00 am -12:00 pm ET.
SIRIUS XM's '70s on 7 channel, SIRIUS and XM channel 7, will feature on-air personality Magic Matt Alan taking a special look at the life of Michael Jackson on Friday, June 26 at 12:00 pm ET.
SIRIUS XM's The Morning Mash Up! on SIRIUS XM Hits 1, SIRIUS channel 1, and XM 20 on 20, XM channel 20, will play music from the iconic artist's catalog and share stories about his music and career on Friday, June 26 from 6:00 am - 12:00 pm ET.

SIRIUS XM's The Groove, XM channel 64; Heart & Soul, SIRIUS channel 51 and XM channel 62; Hip-Hop Nation, SIRIUS channel 40 and XM channel 67, will play Michael Jackson songs at the top of each hour all day Friday, June 26.

Heart & Soul will also air a Michael Jackson tribute featuring some of Jackson's most upbeat music on Friday, June 26 at 9:00 am ET.
The Groove will air "The Thriller 25th Anniversary" special showcasing classic Michael Jackson music and an interview with Quincy Jones recorded in 2007 on Friday, June 26 at 5:00 pm ET.

DJ Premier will dedicate his entire show Live from HeadQuarters on Hip-Hop Nation to Michael Jackson on Friday, June 26 at 10:00 pm ET. Listeners will hear SIRIUS XM host and music journalist Dave Marsh host a tribute honoring Jackson every hour on Classic Vinyl, SIRIUS channel 14 and XM channel 46, Classic Rewind, SIRIUS channel 15 and XM channel 49, Alt-Nation SIRIUS channel 21 and XM channel 47, The Spectrum, SIRIUS channel 18 and XM channel 45, and The Loft, SIRIUS channel 29 and XM channel 50.

June 25, 2009

Michael Joseph Jackson August 29, 1958 – June 25, 2009


Dr Boyce Watkins: Yes, The Transformers 2 Movie Was Quite Racist



Dr. Boyce Watkins made radio appearances across the country this morning in response to the release of the Transformers 2 movie. It just seems Hollywood will never change...


Dr. Watkins is a professor at Syracuse University and a frequent contibutor on CNN

Here's part of his commentary:

I came to the latest release of "The Transformers" looking for what I saw in the first film: Jaw-dropping special effects and a story just interesting enough to hold you over until the next explosion. I didn't go to the film looking for racism or embarrassing minstrel shows. My "racial bias glasses" are designed to weed out harmless, inadvertent racism, which comes with living in a society that spent 400 years thinking that black people were less than human. But when racism is thrown in my face repeatedly in the form of ridiculous and disgusting stereotypes, that's when I start to get mad.Michael Bay is one of my favorite directors, next to the Hughes Brothers (where are they by the way?). He's damn good at what he does. But on this occasion, Bay simply missed his creative target and I'm not the only one who's noticing.

Meet Skids and Mudflap, two Transformers who may as well have been called Lil Wayne and Random Black Male idiot. One of them actually has a gold grill, and neither of them can read. They are bungling buffoons and cowards with barely an ounce of intelligence. One of them rides around as an Ice cream truck with the words "suck my popsicle" on the side, yelling "get your ice cream bitches" to those who might want to buy from his dirty little truck. They also remind you in every other sentence that you are a "punk ass bitch" and that they want to "bust a cap in your ass." Read more>

June 24, 2009

Can Local Radio work on the Internet? Try G-Town Radio

The whole idea of radio serving the local community and playing local artists have gone by the wayside. The corporate radio landscape sort of dictates to more syndication programming with a de-emphasis on local programming in favor of improving the company's bottom line. Less creative and more homogenized programming is the norm.

Many radio listeners are thoroughly frustrated with their local radio station and feel their input has been shut off in favor of profits. However there are a few stations out there dedicated to covering their local community and playing independent artist. One station in particular, G-Town radio is a local station on the Internet at http://gtownradio.com/. Now being on the world wide web, you may think they would be playing to a world wide audience, but that's not the case at all.

G-Town radio is a community based station focused on the Germantown community, a neighborhood in the city of Philadelphia. Their mission is to become an outlet for local content, community news and great music.

The best show on the station is the Wednesday night offering from 8-10pm, THE REC w/Cruze & Lonnie & Scholar 3000. The show features the "going ons" in Philly and the surrounding area with news, views, artist and author interviews, movie reviews, live music and poetry, event spotlights and "pure madness".

I've searched for entertaining Internet streaming programs and for the most part I've been disappointed. The REC is an exception because they and the G-Town radio station as a whole have figured out how to program to a local audience and not to try to compete with commercial radio, even though they're on the web. What they do is unique and that makes them special.

Vibe Magazine's Best Rapper Contest

Who will hold the illustrious title of being The Best Rapper Ever? VIBE magazine and VIBE.com are one step closer to announcing the winner of their 2009 The Best Rapper Ever competition with the revelation of the Final Four. More than 730,000 votes have been cast, setting the record straight on old rivalries and creating new ones.

Three No. 1 seeds have advanced to the final four, including easy victories by Eminem and 2Pac. The Notorious B.I.G. narrowly escaped defeat by Nas with 53 percent of the vote. No. 2 seed Jay-Z took down No. 1 seed Rakim by 20 percent.

To vote on the current round of the competition, visit
http://www.vibe.com/bestrapperever.

Is there any doubt who is going to win this thing?

Make a comment here or go to the link to Vibe magazine, apparently you can say whatever the hell you want to say uncensored!

June 23, 2009

Black Radio in New York Ignores Kesha Monk Husband's Candidacy

Have you ever tried to get your record played on the radio?; then you know the frustration Brooklyn Borough candidate Eugene Myrick is experiencing in trying to get media coverage.

Take a look at the following video isn't this what President Obama asked us to do. Get involve!



Seems like an upstanding guy, right? Seems like a candidate that might be able to make some changes in our community? If you read yesterday's press release by Warren Ballentine, then you might be under the impression that there is no one out there trying to turn around the shame he says that's on Black America. Well why can't Eugene Myrick get any coverage on Black Radio and other places in the media? Especially since no one else is running against the current Borough President.


You would think Eugene Myrick wouldn't simply be ignored, given the fact that he is married to Kesha Monk, a former major market media personality who most recently worked as midday personality at WRKS 98.7 Kiss FM. Los Angeles listeners may remember her at The Beat and in Chicago as Keyshia Keys.

Kesha talks about their frustration with her husband Eugene's campaign:

I am over here LITERALLY about to explode. Black America is REALLY, REALLY in trouble. I'm serious.

...if you want to run for office, the first step is getting your name placed on the ballot. This is done during something called the PETITIONING PROCESS. Eugene has to collect a minimum of 4,000 signatures from Brooklyn residents in order to be placed on the ballot. Opposition has ways of challenging the validity of signatures - - so realistically, we should really collect anywhere from 10,000 to 12,000 to ENSURE that Eugene makes it past this 1st step and onto the ballot.

Taking into consideration the many, many problems that our community is facing with regards to poverty, unemployment, crime, police brutality, poor education, foreclosure, etc.....you would think that the media (BLACK MEDIA SPECIFICALLY) would embrace a young, black, educated, first time candidate who OBVIOUSLY was inspired by our new President to GET OUT AND DO SOMETHING.


Eugene is a product of the OBAMA EFFECT and I feel that his desire to get involved in Brooklyn politics is admirable within itself. NO ONE ELSE is running against the current Borough President and Eugene can actually win IF we can spread the word....

And how do you spread the word? By contacting people that you personally know in the media and ask them to shed light on this 'new generation of leadership'. Perhaps more like-minded people would explore a strategic alliance....and the 10,000 signatures needed to get on the ballot would be easy as pie if people would help.


A few of the people that I've contacted include:* Bob Slade AND His Producer @ KISS FM* Gary Byrd @ WBLS* Al Sharpton's National Action Network* 3 Black Journalists at NY1 (a local tv station)* 1 Black journalist at MY9 News* Funkmaster Flex (seems crazy...but I thought it would be a good idea as Eugene is from the Hip Hop generation)* 1 Black journalist at CNN* 1 Black journalist at the NY DAILY NEWS who also has a radio show

THIS IS A PARTIAL LIST...But I assure you, we have been flat out ignored. I just can't understand it. Several phone calls, e-mails...and in one instance, I PERSONALLY left a message on a desk.


Sounds amazing doesn't it, but it's the truth. The community, especially the Black community needs to have access to the public airwaves that are controlled by the FCC.

If you're interested in supporting or want more information about Eugene Myrick's campaign check out the following links.

http://www.takebrooklynback.com/Take_Brooklyn_Back/Home.html


http://dailygotham.com/categoriesandkeywords/eugenemyrick


Kesha Monk's Photos - Chronicling The Candidate

The Story That Black Radio is Afraid to Tell

Radio broadcasters have done a number on Black America over the past fifteen years. First, by allowing a "pay for play" list of hip-hop that distorts or alters the mind set of the next generation with a steady diet of misogyny, violence and drug culture. We all sat back and watched while BET and Black radio simply mirrored the local news at eleven, reinforcing stereotypes and replacing lyricists with the lyrically challenged.

Paul Porter's blog appears online at Ebony/Jet website. He is 25+ year industry professional and the co-founder of Industry Ears, a non-profit that seeks media justice. Thanks to Dave Warren Communications Industrialist & Social Satirist myspace.com/dave_warren for the FYI.

For decades, Black America has been the victim of all kinds of media distortion. It doesn't take a keen eye to see the regression of images in the past twenty years, in the eighties Cosby was America's number one sitcom and twenty years later VH1's "Flavor of Love" held television's highest rated African American program. Historically, one critical form of communication – Black radio - was the antidote to that distortion, consistently standing as a reliable source of news, information and culture throughout local communities nationwide.

Unfortunately, Black radio is swiftly becoming part of the problem, not the solution. It began, of course, with black-owned stations losing their independent voices and turning into sterile corporate jukeboxes limiting both information and community access, while feeding us music that reinforced the same stereotypes that for decades radio helped to defeat. Read more

Spike Lee's Do the Right Thing - 20 Years Later

Yes it's been 20 years since the release of Do the Right Thing and the question still remains: Did Mookie do the right thing?




In this post from The Root.com blogger Natalie Hopkinson takes a look back and concludes Why Mookie Did the Wrong Thing

Two decades later, it feels humiliating to watch Buggin Out beg a white man to put a black picture on his personal Wall of Fame. Why didn’t he just open his own damn restaurant?


Can you believe ‘Do The Right Thing’ is 20 years old? The film’s promise of a United States of Black America was a nice fantasy. But now it’s time to welcome Sal back to the neighborhood.

When Do the Right Thing was released 20 years ago, a generation of black writers and intellectuals became instantly radicalized by Spike Lee and Public Enemy’s vision of black America. Their fist-pumping black nationalist slingshots, along with The Autobiography of Malcolm X, were the perfect antidote for the isolation and alienation many black youth felt growing up in white suburbs in the post-civil rights era. Read More


Let's just say the excerpt you just read from Hopkinson's blog is an interesting perspective, given the fact that the setting of the movie had nothing to do with black youth feeling alienated by living in white suburbia. Hopkinson growing up in suburban Indianapolis seems to be far removed from the struggles the young characters in the movie faced to survive in urban America. Have things gotten better in the last 20 years?

Now you know why Mookie threw the trash can through the window and kicked off the riot in the film. As Malcolm X said more than 40 years ago, "There can't be Black-White unity until there is first some Black unity." ...and as Samuel Jackson's Disc Jockey character in the movie would have said, That's the Triple Truth, RUTH!

Watch Do the Right Thing on youtube.

June 22, 2009

Talk Show Host Warren Ballentine Says "Shame on You Black America"

My entire life I have been hearing how the white man and the government is the reason so many of us were poor, uneducated, and unemployed. Now, don’t get me wrong I do understand that the holocaust of slavery, the unjust justice system of Jim Crow and the civil rights disparities has crippled Black Americans in many ways. But, can we still say that today?
We must take accountability for our actions as well. Today we have a Black man as President but he is a President not the Savior of Black America. We have more Black millionaires than any other time in the history of this country, yet our schools are worst than they were before integration. Our unemployment rate is higher than ever before. Our kids are killing each other like they were living in the Old West. And we own almost none of the businesses in our communities. Is this what Dr. King gave his life for? Is this what Thurgood Marshall fought for?

Why is this all happening now? Lack of ACCOUNTABILITY in our RACE. We blindly support singers, actors, rappers, and athletes to the point that we make them gods. We spend our last dime supporting them but do they support us?
How hard would it be for ten or twenty of them to come together and buy properties in cities and towns and open up businesses and trade schools? Where are the Dick Gregory’s, Muhammad Ali’s, Bill Russell’s, and Jim Brown’s of this generation?

I know some of you will say Warren these folks don’t owe us a thing. Why do we keep asking for hand outs? To you I say a great majority of these stars voted for our current President ¾ and his message is clear that we have a duty to the greater good of all then a small few. What I am proposing isn’t a handout at all. I am not asking for fish I am asking to teach us how to fish.
If a group did this it would allow people the chance to save their homes. Help keep our children off of drugs and out of the crime black hole that a majority of them seem to be in. It would help destroy the process that most of our kids and (many parents) seem to think that the only way to be successful is to be a rapper or ball player. It would help fund the education of these children to the point that the schools would truly be equal not just integrated.

ACCOUNTABILITY.. We must change this stupid no snitch rule in our communities. We must call the cops on our kids who are on the corners selling dope. We must stop blaming the white man for all the ills of Black America. We must stop all these town halls and State of Black America meetings.
And we must stop supporting these singers, actors, rappers, and athletes who don’t do anything for us.
If you continue your current path Black America well Shame on you.
Warren Ballentine Esq

Warren Ballentine is a lawyer and a nationally syndicated radio host and a regular on Sunday nights on the newsroom on CNN. The Warren Ballentine Show can be heard weekdays from 10AM-1PM. (check local market listings) or visit www.truthfighters.tv.

Sirius XM iPhone App Becomes the Top "free music app" in iTunes

This just goes to show what heavy marketing can do. If you're going to buy an iPhone, there had better be stuff on there to play with.
iPhone and iPod touch users are heavy into downloading apps, especially if they are free! The Sirius XM app is ranked among the top 10 of all free apps. This happened on the first day it became available. The app offers 120 channels of music and talk programming, and it’s free to download and free to listen to for those existing satellite subscribers who already pay for Internet access.

The app however does not provide the Howard Stern channel because of the adult language and mature content. Also no Major League Baseball and NFL Football games or Sirius NASCAR coverage without a monthly charge.

Radio broadcasters were hopeful of a FM radio app, when the new iPhone was unveiled a couple weeks ago, but no such luck. In order for radio to remain relevant to future generations, the radio industry need to figure out how to make a radio app available on the next iPhone roll out, before network and cable TV programs app become the hot thing. It's not a technological issue, it's a money issue; How much would they be willing to pay Apple for your own survival?

KJLH's "L.A. Speaks Out" Host Resigns

Radio Free 102.3 KJLH Public affairs director and host Jacquie Stephens has resigned from the station and is relocating to her hometown of Chicago. She hosted “LA Speaks Out.” No word if the show will continue with a new host or not.

June 19, 2009

The Struggle for Black Radio in Pittsburgh

Larry Glasco of the New Pittsburgh Courier reports on the history of WAMO and Black media outlets in Pittsburgh including the Courier, the Black newspaper, and radio stations WHOD and WILY.
Along with providing information about radio host Mary Dee and her brother Mal Goode, the first Black network news reporter for ABC News.

The sudden demise of WAMO radio may seem shocking to many, but the station’s trials and tribulations stem from a decades-long struggle to maintain a strong community identity that at the same time would attract sufficient White listeners (and advertisers) to survive and grow. During its “glory” years from the 1940s through the 1970s, Black radio in Pittsburgh emerged as one of the most powerful voices of the community, capturing and reflecting the music and culture of its residents as well as providing a forum where they could discuss public affairs and rally for racial justice. During that era, WAMO, as the flagship of Black radio, maintained listener loyalty and turned a decent profit. For a people steeped more in the oral than the written tradition, the case could be made that during those “glory” decades, WAMO was at least as important as Black Pittsburgh’s other media giant, the Courier. Read more

Songwriters Hall of Fame Brings Out the Stars for 40th Anniversary Gala

Lamont Dozier with Berry Gordy; Brian and Eddie Holland

The 2009 Songwriters Hall of Fame (SHOF) 40th Anniversary Awards show was a dazzling success, as SHOF Chairman/CEO Hal David and President Linda Moran recognized and celebrated some of the key songwriting icons of popular culture.

Last night, heavyweights Jon Bon Jovi and Richie Sambora; Felix Cavaliere and Eddie Brigati (The Young Rascals); Roger Cook and Roger Greenaway; Crosby, Stills & Nash; Galt MacDermot, James Rado and Gerome Ragni (deceased); and Stephen Schwartz were inducted into its hallowed Hall.

Honored with special awards were Brian Holland, Lamont Dozier and Eddie Holland of Holland-Dozier-Holland, who were presented with the esteemed Johnny Mercer Award; Andy Williams, who was presented with the Towering Performance Award; Jason Mraz, who received The Hal David Starlight Award; Sir Tom Jones, who was presented with The Howie Richmond Hitmaker Award and Maxyne Lang , who was honored with The Abe Olman Publisher Award.

June 18, 2009

Unity Day Cancellation a Bad Sign for WDAS Philadelphia?

Philadelphia Daily News Gossip Columnist Dan Gross interviewed a couple of staffers that said the recent cancellation of the 30 year annual Unity Day event signals a bad sign for the heritage station 105.3 FM WDAS. I guess they feel Clear Channel would get rid of WDAS.


A WDAS veteran employee stated that "To get rid of Unity Day was stupid. How are you going to replace that revenue."

Station spokesperson Loraine Ballard Morrill said, "WDAS is one of the top stations in the market and we're exactly where we want to be. I can tell you with a high degree of certainty that there are no plans to make any changes to the station. The decision not to hold Unity Day this year was simply a reflection of these very challenging economic times."

Even with the new electronic rating system known as PPM; WDAS FM has remained a consistent top 5 rated station in the Philadelphia market. In the old handwritten diary rating system, 'DAS battled it out for #1 with the local all news radio station KYW and the easy listening/soft rock station B101. So any
speculation at this time seems absurd.

Songwriters Hall of Fame Master Class Honors Lamont Dozier

This evening, Lamont Dozier will receive the prestigious Johnny Mercer Award along with Brian Holland and Eddie Holland, Jr. at the Songwriters Hall of Fame 40th Anniversary Gala.

Master Class moderator Nelson George and Lamont Dozier

A sold out crowd at the Kaufman Center on Tuesday for the Songwriters Hall of Fame Master Class was treated to a very special, intimate evening of stories about the wonder years of Motown Records and the origination of some of the many hits written by Lamont Dozier and the powerhouse songwriting team Holland-Dozier-Holland.

H-D-H were credited with creating the Motown Sound and had 13 #1 consecutive hits with The Supremes alone!. Some of their classics include "You Can't Hurry Love," "Baby I Need Your Loving," "How Sweet It Is (To Be Loved By You)," "Stop! In The Name of Love," and "Where Did Our Love Go."

Moderator and cultural commentator Nelson George coaxed fascinating and entertaining tales out of the songwriting icon about working with Diana Ross and The Supremes, The Temptations, The Marvelettes, Phil Collins and, most recently, Solange Knowles, but also shared songwriting tips that helped propel his career, making him a living legend in the industry.


At the end of the Master Class, the crowd helped Dozier celebrate his 68th birthday, singing "Happy Birthday" in unison as a big candlelit cake was brought out onstage.

Without Holland Dozier Holland there is no Motown!


The Supremes -You keep me hanging on

June 17, 2009

Bob Slade of 98.7 Kiss FM WRKS Says Black Radio Needs More Talk Programs

"Someday, black radio is going to wake up and realize it has to do more talk programming," says Bob Slade, news director of WRKS (98.7 FM).

"I know that the listeners are ready for it. But sometimes black radio, all across the country, lags a little behind." Slade is doing his part. Every Sunday he co-hosts "Open Line," 10 a.m.-noon, with James Mtume and Bob Pickett, then "The Week in Review," 11 p.m.-midnight, with Peter Noel and Charles Etheridge.

"Open Line" is about to celebrate its 20th anniversary, which just led the City Council to issue a proclamation honoring and thanking both shows for their public service. Read full story from New York Daily News

June 16, 2009

DJ Diamond Kuts Drops New Record


DJ Diamond Kuts of Power 99 Philadelphia (WUSL) and BET's "The Deal" talks about starting out DJing at a popular sneaker store in Philly and the grind of being in the industry for more than a minute. DJ Diamond Kuts new record "Main Attraction" features DJ Khaled.

If you're looking to find independent hip hop, non-commercial and college radio stations are an alternative, many of whom have live streams. This interview took place at the studios of Drexel University's 91.7 WKDU.

June 15, 2009

The Marc Clarke Show on My 24 Baltimore




“The Marc Clarke Show” debuts today on Baltimore’s My24 WUTB TV. This daily one hour show on My Network TV from 7-8 A.M. will feature interviews, skits and cover local and national stories. Clarke headed the former morning radio show, "The Big Phat Morning Show" on 92Q WERQ. The #1 rated morning show in Baltimore was replaced by the Rickey Smiley Show earlier this year.

June 12, 2009

The 'Burgh Hip Hop Scene React to 106.7 WAMO

As the last days of WAMO wind down in Pittsburgh, on the night of the announcement many of the Pittsburgh Hip Hop community reacted to Sheridan Broadcasting sale of WAMO FM. What's interesting here is that most of the comments could apply to many Urban/Hip Hop stations across the country. People say, or a better word might be are crying out for, more local artist instead of hearing the same songs over and over.

However the thing that will make people truly embrace a radio station as their "own" doesn't translate to a successful business model. The old radio station programming model has long been trashed. That old model that resulted in some stations being labeled a "heritage" is dusty and filled with cobwebs. Black/Urban radio has an image problem. Listeners don't expect to hear what's up, hot, new, fresh, dope, bangin' etc. from their local DJ.

Would it matter if you woke up one day and all of your local Black radio stations were gone?






Check out the New Pittsburgh Courier online as they provide some WAMO history, analysis, and the prospect of new opportunities for hearing music from local artist in the area.

June 11, 2009

Chris Paul, Donnie Simpson's Sidekick, Leaves WPGC

DCRTV reports that comedian Chris Paul just quit Washington DC's WPGC 95.5. Paul was the morning co-host of the Donnie Simpson show, and left while Donnie is on vacation. No one really knows the reason why he quit, could be a budget cut at the station or Paul may be going over to 93.3 WKYS.

The site also reports that WPGC may in fact change or tweak their format due to low ratings. WPGC is no longer a reliable top 5 rated station and with the PPM rating system their numbers have dropped to more of a 14th or 15th place station. There also has been a slump in the numbers for Simpson, a 30 year DC radio vet. Maybe Jonas Brothers could be on the menu?

As I have been saying, PPM and not the Performance Royalty Tax, is a bigger threat to urban/hip-hop and R&B radio.

June 10, 2009

VIBE Magazine's 2009 Best Rapper Ever Competition

VIBE Magazine's 2009 Best Rapper Ever Competition announces the rappers advancing to Sweet 16 in bid for coveted title

June 10, 2009, New York City -- Who will hold the illustrious title of being The Best Rapper Ever? VIBE magazine and VIBE.com are one step closer to announcing the winner of their 2009 The Best Rapper Ever competition with the revelation of the Sweet 16. More than 600,000 votes have been cast and the VIBE mail bins are overflowing with responses, setting the record straight on old rivalries and creating new ones.

All of the No.1 seeds continue to hold their own, with Eminem, 2Pac, The Notorious B.I.G., and Rakim all advancing to the next round. Three No. 2 seeds, Lil Wayne, Ice Cube, and Jay-Z, have advanced, while LL Cool J was taken down by DMX with a 12 percent margin. Nas's 89 percent took down Q-Tip's 11 percent with a strong swipe.

To vote on the current round of the competition, visit http://www.vibe.com/bestrapperever/

VIBE'S BEST RAPPER EVER SWEET 16: 2Pac, Andre 3000,Big Daddy Kane, Big Punisher, DMX, Eminem, Ghostface Killah, Ice Cube, Jay-Z, KRS-One, Lil Wayne, Nas, Rakim, Scarface, Snoop Dogg, The Notorious B.I.G.

OK, DON'T COMPLAIN IF YOU DIDN'T VOTE

I didn't vote but I'm complaining anyway because my top five are: Black Thought of the Roots, Lauryn Hill, Common, Guru from Gangstarr, and Vanilla Ice!!! (well actually it's Rakim, so of those left in the competition you know where my vote's going.)

June 9, 2009

Jay-Z Goes After Auto-Tune

Jay-Z may or may not have actual convictions about Auto-Tune, the pitch-correction technology that has turned robotic vocal impressions into major radio hits for the likes of Kanye West, Lil' Wayne, and T-Pain.

Why did he record "DOA (Death of Auto-Tune)?"; which premiered Friday night on New York's Hot 97 with Funkmaster Flex. Well Jay definitely knows that publicity stunts are good for business. Here's one view from Black Web 2.0 and the buzz it created on Twitter.

Meanwhile Jay-Z is making the rounds with phone calls to Hip Hop stations around the country promoting his forth coming album slated to be released on September 11, 2009.

June 8, 2009

DJ Jazzy Jeff Told Not to Play Hip Hop in Kansas City

What did they think he was going to play, country?



Internet Radio, Satellite Radio, and Just Plain Old Radio

What's your take? I'm finding the term being used very loosely.

I'm streaming a music widget off to the side of this webpage... but I would hardly call that radio; however some say that's a radio station...

Who needs a microphone? It's the more music and less talk approach to programming, well actually it's all music and no talk ALL COMMERCIAL FREE! 10,000 joints in a row. That's even it's better, right?


OK plain old radio is AM and FM radio. Basically it used to be a license to print money issued by the FCC. It's the federally regulated public airwaves that is free to listen to with a variety of programming. However radio owners like Clear Channel would like for you to hear the same programming regardless where you are in the country through syndicated broadcasting. They also have these hidden channels called HD radio, but nobody can find them. Anyway some people say radio is DEAD!

Now satellite radio used to be XM and Sirius until last year when Sirius bought XM, so now there's only one satellite radio company. You get all kinds of stuff from music to talk radio with a variety of personalities like Howard Stern, Oprah Winfrey and Eminem. It cost you about $12 a month. Many people said this was going to destroy AM and FM radio.






Now how about the other stuff?


Well there's this twitter like website called Blip.fm. Which actually makes you a dj and you can broadcast over the internet. Wow I just didn't realize it was that easy to broadcast! You might even want to catch D-Nice blipping away on his OWN radio show each night on
Blip FM via twitter.



How does it work? I think you have your followers click on a link and they can actually hear a song. Then if you create a link for another song and update your twitter status, (a tweet) then your followers can click on the link and they hear another song. That's amazing. Isn't technnology great? You could actually do this over and over again for as long as you want to.







Is this what we call Internet radio?







How will plain old radio survive?

June 5, 2009

WDAS FM Cancels Unity Day 2009

It will be Philadelphia's first summer since 1978 without a Unity Day.

WDAS 105.3 announced that the family-friendly outdoor event would not be held. "It's the economy," said station manager Joe "Butterball" Tamburro. "It's atrocious out there. We don't have the resources to do it the way we've done it in the past, and we decided to take a break. We'd rather people remember it as it was." Tamburro said he did not know if Unity Day would return when the economy improves.

The event most likely won't return after a 30 year run. The "family-style picnic" was originally held in a park in West Philadelphia on a Sunday afternoon in 1978, eventually moved to the downtown area of the city on the Parkway near the famous Art Museum. However last year the event was downsized to a weekend concert at a venue on the city's waterfront.

The first 'Unity Day' picnic on July 16, 1978 was not held on city property as the city wouldn't grant the station a permit. The station held the event at parks in West Philly where 10,000 people showed up. Read more on the history of the Unity Day and the station's role in the community.

June 4, 2009

Performance Royalty Tax: Fighting Over Crumbs


Why has this turned into Black Performers vs. Radio One?

On Tuesday Dionne Warwick, Martha Reeves, Mary Wilson of the Supremes, George Clinton, Sam Moore of Sam & Dave among others turned out for House Judiciary Committee Chairman John Conyers' Town Hall meeting at Wayne State University in Detroit. It was called "Awareness for Fairness" and apparently it took a decidedly anti-Radio One tone at the meeting. One reason being is the proliferation of syndicated shows at Radio One's Detroit R&B and Old School station Mix 92.3 WMXD.

The whole mind set or thought out there is that Radio One is BLACK RADIO. Radio One may be the largest Black Owned radio company but they are not Black Radio. There are other independent Black radio stations across the country. But for many places in the country, the Black music station is owned by Clear Channel, CBS Radio or another large media company. So the perception is that Black radio doesn't play the music the listeners want to hear or has gotten rid of local talent in favor of syndicated hosts. And listeners are angry about that. They are angry at Cathy Hughes.

But I ask, "Why are long retired R&B singers being trotted out to the public to lead the fight of a performance royalty tax?" Sometimes when I post something about this, I get a nice email from the people over at Music First stating that Duke Fakir of the Four Tops is in favor of a royalty tax. I like the Four Tops as much as the next person, but I can't remember the LAST TIME I heard a Dionne Warwick, a Four Tops, or Sam and Dave record on BLACK radio. You're most likely to hear one of their songs on a mainstream or for a lack of a better term "white" radio station.

Think about it. What Black radio station programs "Motown" or Soul music anymore? Classic Soul music for Black radio is Luther Vandross, Anita Baker and Atlantic Starr. Besides can't today's Black radio stations owned by Radio One simply not play a Dionne Warwick or Martha Reeves and the Vandellas song EVER again? Would anyone even notice? Dionne, then you won't see a dime. Don't you know baby boomers, the folks of your generation, don't even bother with turning on the radio anymore? They play CDs or listen to satellite radio.


I'm not even really sure if a Performance Royalty Tax will hurt small independent Black radio stations anymore; but I'm sure it will have devastating effects on Radio One's bottom line and Cathy Hughes' pockets. They will probably need a bailout or go bankrupt. But it just seems they're fighting over crumbs. Black radio has much bigger problems than a performance royalty tax. They have less revenue coming in due to under reporting of the PPM, Portable People Meter ratings system and the lack of major advertisers like GM and Chrysler ...and most importantly an image problem. All problems not easily solved.

June 3, 2009

Performance Royalty Bill Expected To Be Blocked

SoundExchange is an independent, nonprofit performance rights organization that is designated by the U.S. Copyright Office to collect and distribute digital performance royalties for featured recording artists.

From FMQB Twitter update According to the NAB, a majority of the U.S. House of Representatives now opposes the controversial performance royalty rate. The Local Radio Freedom Act now has 220 House co-sponsors and 12 Senate co-sponsors. At least 218 House members are needed to have a majority and block the scheduling of a vote on the Performance Rights Act.

Adding their support to the Local Radio Freedom Act are Reps. Alcee Hastings (FL), Ron Kind (WI), Allyson Schwartz (PA), Bob Inglis (SC), Edward Royce (CA) and Ben Ray Lujan (NM). Sens. Jeff Bingaman (NM), Kay Hagan (NC), Jon Tester (MT), Christopher Bond (MO), Judd Gregg (NH), Mike Crapo (ID), and Roger Wicker (MS) have added their support to an identical resolution in the Senate.

"Today's milestone stands as a testament to the tireless efforts of NAB staff, our state association partners, and grassroots efforts of stations across America," said NAB Radio Board Chairman Steve Newberry, President/CEO of Kentucky-based Commonwealth Broadcasting. "But this fight on behalf of 235 million weekly listeners is far from over. Our continued success is dependent on radio broadcasters remaining engaged in building additional support in Congress, and in reminding lawmakers of radio's unparalleled promotional value for both record labels and artists."

"We salute Reps. Gene Green and Mike Conaway and the 218 additional House members who recognize that the proposed record label performance tax stands as a dire threat to the future of free and local radio," added Newberry.

Yesterday, House Judiciary Committee Chairman John Conyers held a town hall meeting in Detroit on Tuesday to hear both sides of the Performance Rights Act. Representatives from both the artists and radio sides of the argument spoke about the controversial issue.
Related Posts Plugin for WordPress, Blogger...